![]() ![]() In the traditional version, the flyer's feet simply fall to the floor. The base pulls the flyer up through his legs the final way. Waterfall: From boxcars, a candlestick, a handstand flip, or leg up layout throw, the flyer goes up over the base's head, slides down the base's back head first, tucks up through the base's legs, and stands up in front of him, in one fluid motion. When the base bends over, the flyer rolls over his back and lands on her feet in front of him. Technically, this is not a flip.īack to Back Flip (aka over-the-back flip): The base and flyer stand back to back, they lock arms. When the flyer moves quickly, her motion is higher and more vertical and the move is a true Lindy flip. When the flyer moves slowly, her motion is lower and more horizontal and the move may be called a helicopter. The flyer jumps at the base's right side, she pushes off the base's shoulder with her right hand, she swings around his head, and she lands where she started. Lindy Flip (Kip): This is the classic Lindy Hop aerial, somewhat like a swing out in the air. Executing aerials safely and cleanly is a matter of technical skill rather than brute strength. It is important to note that though these gendered roles are the most common in aerials, they are by no means the only alternative. They were performed in the 1930s and are still performed in the 2000s.įor convenience, 'he' refers to the base and 'she' to the flyer. ![]() Learning the timing and technique of aerial steps is a long process, and can be dangerous is conducted under unsafe conditions by untrained instructors or dancers. Aerials that seem easy can be quite dangerous. We recommend coaching to learn aerials, and the use of trained spotters. This article should not be used for teaching or learning aerials. In an air step the leader or the follower acts as a base offering support to the flyer whose feet will leave the floor. The aerials listed in this article are grouped somewhat arbitrarily into classic aerials jumps and cannonballs charleston jumps lifts something flips base aerials dips slides and spins drags and slop theatrics and gymnastics and miscellaneous. Here we attempt to describe the diversity of aerials. ![]() The term has come to mean a wide range of special and unusual dance moves, including dips, slides, and tricks. Please remove after the page is bookified.Īn aerial (or air step) is a dance move where one's feet leave the floor. This page either needs to be altered to become the main page of a book, or altered to fit the "local manual of style" of the book it is to be included in. This will make the performance of each dancer as if it were one more musical instrument.This page was transwikied from another project and needs to be bookified. RHYTHMICAL PHRASES - The fourth class, following the idea of the second one, will have the objective of personal phrasing about musical variations whether or not they are in music, for example syncopation. We will apply it in simple movements but then you can extend it to much more complex steps. RHYTHM IN YOUR FOOTWORK - The third class will consist of footwork oriented to accurately interpret the rhythmic nuances that develop within the structure. Our steps speak for us and we will try to make them consistent. Remember that the expression of our dance is aligned with the expression of music and therefore its structure. The idea is to apply the music to the dance and naturalize it in the body. MUSICAL STRUCTURE - The second class will focus precisely on how to use the movements thinking about the structure of the music. ![]() In the first class we will work on four count basics and movements and changes of dynamics to have more repertoire to play with the music. It wont be only from the acrobatic point of view but coherent with the dance to be able to incorporate them easily.ĬHANGING THE COUNTS. In addition to providing corporality, it will provide rhythmical variations applicable to dance as a couple.ĪERIALS - The aerial steps class will contain three classics. SOLO JAZZ CLASS: The solo class will have both Charleston and Authentic Jazz material. ![]()
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